Welcome to Myth:A Musical

April 6th, 2009

[While our site is undergoing an upgrade, please look at the posts below for information and resources about the show.]

Myth is a new musical in development, with book & lyrics by Wes Driver and Greg Greene, and music by Michael Slayton.

Set in the familiar yet fantastical world of Greek myth, this original story tells of the machinations of kings, the tyranny of gods, and of a young woman who shows them all – mortal and immortal alike – what it takes to be truly human.

Myth has a completed script (book and lyrics) with music composed for approximately one-third of the songs.

This site features a brief plot synopsis, demo tracks from the show and news as we pursue opportunities for a production.

What Story Shall We Tell?

April 6th, 2009

That’s the question asked by a Greek chorus to begin this rousing musical. And what story do they tell? A story worthy of legend but lost to history: the story of how and why the gods were cast from Mt. Olympus.

The princess of Athens and the prince of Thebes are to be married. But an oracle portends doom. The mortals challenge the Fates. The gods intervene. And what follows is a tale filled with such magic, mystery, and emotion it could only be realized in a rich, full-scale musical. A lush, sophisticated score (sometimes rollicking, sometimes tender) complements and drives this impassioned story, which includes surprising romances, unlikely heroes, and, of course, the incomparable gods in all of their majestic, decadent glory.

Moving from a war-ravaged earth to the dark depths of Tartarus and on to the gilded palace of Olympus – winding from outrageous comedy to harrowing tragedy before ending in a blaze of unforeseeable triumph – this is the original story of how the people of earth, heroes and criminals, princes and slaves, band together, subvert fate, and overthrow the tyrannical gods of ancient Greece.

Myth is a tale in two acts.

The story is told by a Greek chorus, from which spring the actors for specific roles. Myth features fourteen lead and supporting roles (nine males, five females), with an additional thirteen roles or groups to be played by the remaining chorus members (at least six males, six females). An optimal production will have between twenty-six and thirty actors.

Download a complete synopsis.

Songs

April 6th, 2009

Myth contains 20 songs (14 songs, 6 reprises).

Click the song titles to listen to demo tracks from the first act (or right-click the title and choose Save Target As… to download a copy to your computer). Some tracks are fully orchestrated (with synthesized instruments), others are piano only. The full set of songs can be downloaded as a ZIP file.

Lyrics © 2008 Wes Driver and Greg Greene. Music © 2008 Michael Slayton.

What Story Shall We Tell? (song 1, orchestrated)
As the show opens, a Greek chorus in robes and masks takes the stage to perform its ritual of worship—a drama. The chorus splinters in disagreement as factions exalt a favored god, each vying for the story that will be told in this theater tonight.

My Hero (song 2, orchestrated)
Acacia, the starry-eyed princess of Athens, and her older, cynical handmaiden Tressa, explore the city of Thebes where Acacia is to wed the legendary warrior and prince Kallisto. As the two women enter an armory, they spar over the prospect of marital bliss and the true nature of men.

I Sacrifice (song 3, orchestrated)
King Diokles of Athens joins Praxis, king of Thebes, as they offer sacrifices to the gods and ask for an oracle to learn if their cities will be successfully united through the marriage of Acacia and Kallisto. The Theban prince, returned from one of his many adventures, bristles at his father’s connivance – that is, until he lays eyes on the stunning Acacia and joins in asking heaven’s blessing on this wedding.

Why Do You Run? (song 6, piano)
The glorious god Apollo finally finds Tressa – earlier a victim of Kakisto, cutthroat scion of Praxis – as she is washed up on the river’s shore. During a previous attempt at her rescue Tressa fled fearfully from Apollo, leading him now to ask her: “Why do you run from me?”

The Fates (song 7, piano)
At Zeus’ reluctant direction, Athena has found the lair of the Fates, those three ancient hags who weave the destiny of mortals and gods on a huge tapestry. Athena warily confronts them, demanding they retract their oracle of doom for Acacia’s marriage – but the Fates have other plans in store. (The song pauses as they watch a scene unfold between Acacia and Kakisto, then returns to find the Fates reveling in her plight.)

I Could Be a Swan (song 10, piano)
Acacia is trapped at knifepoint by her abductor Kakisto when Athena storms the caves, drawing him off in a clash of swords. Acacia is alone, and Zeus, whose wandering eye has been on her for some time, now moves in to seduce her - whether she wills or no.

Download all songs in this Myth songs ZIP file (38MB).

Special thanks

Guest vocalists on the demo tracks: Emily Webb, Katy Snow, Jennifer Christopher, Tracy Dean, Jessica Slayton, Christopher Jennings, Brad Forrister, Ashley Thompson.

Creators

April 6th, 2009

Wes Driver and Gregory M. Greene began collaborating in 1992 with the satirical sitcom pilot “Take My Life, Please”. In the years following, they together wrote and produced a trilogy of full-length murder mysteries performed to sell-out crowds. In 1994, they began experimenting in the soon-to-emerge 24-hour play phenomenon, successfully writing, directing, and producing five one-acts.


Wes has been a professional writer for over ten years, working in advertising and publishing. His screenplays have received recognition from some of the nation’s most prestigious competitions (including Chesterfield Writer’s Film Project and the Austin Film Festival). His script “The Valet” won Cinestory’s very first Short Screenplay Competition. Wes has also ghostwritten a best-selling political satire for Nelson Current Publishers.

Greg has worked in marketing and communications since 1999. He has written, produced, and directed promotional videos for a number of nonprofit organizations and is a key developer of the children’s video series JAM Films, having authored twenty screenplays, directing or co-directing many of them.

Michael Slayton chairs the Department of Music Composition and Theory at Vanderbilt University’s Blair School of Music, where he has taught since 1999. He holds the D.M.A from the Moore’s School of Music (University of Houston), where he studied with composers Michael Horvit and David Ashley White. Michael has been commissioned nationally and internationally for his concert works, with performances in Germany, Belgium, Norway, Portugal, the UK, and France. He has also been twice commissioned by the Nashville Ballet as part of the Emergence Project. Michael is the winner of the Louisa Stude Sarofim Prize in Composition (2000), and was named MTNA’s Composer of the Year in 2001.

Special thanks

Logo and website design: Derrick Castle (http://nashvillemafia.com)

Photography: Mark Pleasant (http://www.smallwonderstudio.com)

Contact Us

April 6th, 2009

We’d love to get your feedback on the available Myth materials, or answer your production-related questions.

Send email to info@mythmusical.com.